The Blacksmith’s Garden

**Note: This piece first appeared as a guest blog via the kindness and generosity of Zack Hunt on his blog at  http://zackhunt.net/2013/11/26/the-blacksmiths-garden-by-preetamdas-kirtana/  Zack is rather amazing: great heart and humor and lover of Jesus and neighbor (an uncommon & wonderful combination!) You should really do yourself a favor and check out his blog. Just subscribe. You’ll be glad you did. I post this, as I recover from some health challenges and, honestly, it remains a piece that still ministers to me. I hope you find some meaning and blessing here also**

 

The Blacksmith’s Garden – By Preetamdas Kirtana

(H/T)

When I was a child growing up in Pentecostal churches the phrase “turn or burn” meant mouthing a panicked sinner’s prayer or burning eternally in the Monster God’s hellfire. Today as my heart breaks again for my friend, Jerry, that phrase unexpectedly returned to my mind. Less than a month ago Jerry lost his beloved brother suddenly in an accident. Today, just minutes ago, Jerry emailed me that his sister, the remaining half of his spiritual arsenal; his shield that had worked in conjunction with the sword that his brother had been, has received another diagnosis of cancer. And what can I say? “My God,” is absolutely all I can think as the tears well up and trace the paths of their countless predecessors: tears of pain and joy, of loss and gratitude, tears of questions with no answer whatsoever, tears when there are no words left at all. I weep. I cry silently and then I notice a peculiar emptiness.

I don’t know what to do except pray, even if it’s only these simple, desperate words, “My God.” I don’t know what to say, so I say nothing and that’s where the emptiness is – right there: right where a loud, accusatory, and raging “WHY?!” would have been before. I don’t know what to do, but what I’m not doing at least right now, in just this moment, is not asking why. This leaves this space vacant, empty; this space where previously tough resentment, hard obstacles, and heart-high walls have been hammered into fine, glistening, repellent fashion by a blacksmith of isolation whose every challenge and loss blew like bellows into the toxic fire of “whys” and bitter “One day…” threats. Oh, the smoke from the noxious flames always sent signals of alarm and distressed calls for rescue, but without fail anyone, anyone, even God, who cared enough to get close enough to help, also got close enough to get burned. But now, now a cool wind blows through the blacksmith’s darkened shop and the anvil looks more like an altar. Without the the echo of the hammer and the crackle and spit of the fire I hear “turn or burn,” which, frankly, with it’s brimstone baggage seems like damn cold comfort. But on the next breeze that stirs old ash, also comes a fresh understanding in this hallowed out space. If we can, through resistance and ritual, with white knuckles and bended knee, through sometimes saltine-dry prayers and sobbing surrender, if we can just empty the space, if we can just turn from any and all questions of “why?” even for a moment, lay down the bellows, douse the fire, take off the apron and sit, we sometimes notice, perhaps in the cooler corner opposite the old furnace, a tiny green sprouting intruder of trust. It’s a strange and welcome sight, though more than a little perplexing as all I’ve really known is blacksmithing. I don’t know nothing about gardening.

I’ve grown skilled in burning offenses, glowing hot resentments, cauterized wounds, and throwing relationships like kindling. I know nothing of growing something new and tender green. The wonder of the tiny sprig of trust with it’s reaching roots and the wonder of my own unknowing amid the smell of soot and ash lights this new understanding of “turn or burn.” I can burn with questions of why. I can be consumed by the fires of needing reasons and in believing that in each denial and in every loss that my answers are gone or I can turn toward my complete unknowing, my complete lack of questions and also toward this love that has been likened to a great, Good Shepherd, this gentle, determined Gardner, who asks me, as He asked Mary, with the tomb behind her and the garden before her,

“Why are you crying?”

“They’ve taken my answers and even my questions,” I reply.

But then, in the stillness of the glory of this single seedling of trust, hardly a garden, He speaks my name.

He speaks my name and, like Mary, the Knowing of His Spirit within me springs forth and answers,

“Rabboni! Teacher!”

My Pentecostal training of “turn or burn” left my soul’s only option for vocation as blacksmith but my not knowing is, with bleeding hands and soiled knees, preparing me to be, finally, a Gardner’s apprentice, a Rabbi’s ragamuffin disciple, a faltering, failed, trembling, and faithful child of God.

But without answers and without even questions, how does that help Jerry? What does that leave me to offer my frightened and grieving friend? What it leaves is something better than answers that never helped even when they came. It leaves me brokenhearted, but faithful and willing to weep and wait in the garden outside empty tombs with the brokenhearted and weeping and waiting and to listen for the Gardner, ready to recognize the Teacher, to sit together in our unknowing until Daybreak dries our tears and we feel That Which We Felt Was Lost rise up within us and we know resurrection.

That’s all we have: brokenness, hope, and glory.

– See more at: http://zackhunt.net/2013/11/26/the-blacksmiths-garden-by-preetamdas-kirtana/#sthash.WxURtDn9.dpuf

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The Resurrection…From the Back Pew

*one truly from the archives: circa 2004, but hey, it’s lighter! In-joy

My second cousin came to my very first public reading of my writing. In one of the pieces I read, I spoke openly about how dire my financial situation was at the time of that recently written essay. After the show, she, her mother, and sister showered me with congratulations and hugs. Then, her mother slipped some money into my pocket against my protests and her daughter planned a day to take me to the grocery and asked if I needed to do laundry. I pulled her close and said into her ear, “You have no idea. My socks actually stand upright in the corner, without me in them!” She laughed and we set a date to begin the mountain of laundry. This kind, generous gesture was made even more disarming by the fact that my cousin and I had enjoyed virtually no contact for years, despite living in the same city.

Two days later I stood in her kitchen as she began to cook and the first of the ‘winter laundry’ began to spin. I asked about her job and she explained that she hadn’t returned to work since the birth of her now toddler son, Little Joe. Her time was consumed daily by tending to the needs of her son and by occasional volunteer work. One of her volunteer activities is being a precinct judge and officiating at voting sites during elections. Now, after all these long years, my cousin came out to me. I had, of course, suspected, even knew this in the back of my mind. But, well, to hear her say it right out loud, well, it still cut like a knife. All the tell-tale signs had been there. She is white, very, very, white actually, married with a kid, and drives . . . a mini-van. We share an ol’-time Pentecostal religion upbringing and she still attends weekly services locally. Her family, with their backyard deck and two car garage, appear to enjoy middle-class status. Perhaps, even more telling, is her family’s holiday tradition of sending out those family update form letters that detail all of the family tragedies and triumphs with photographs since the previous Christmas. All of these signs and red flags and I chose to remain in denial, until she said it again, “Of course, being REPUBLICAN, I said that of course, I wanted the Bush campaign sign in our yard when they asked down at the headquarters.” I turned my face away, knowing it would betray me and register the shock, pain, and repulsion that I felt at her declaration. The intensity of my response was surprising, even to me. Instantly I just wanted to leave. I wanted to pack my baker’s dozen or so bags of still dirty laundry back into the mini-van, return the groceries, and have her drive me back home in stony silence. I just wanted out. How DARE here extend such kindness: invite me into her home and then casually drop this bombshell! “Oh, by the way, I strike preemptively and deny you equal status under the law. Would you pass the gravy and those potato rolls?” Great. “Bring it on”, I’d reply. This was horrible, unbelievable. I wondered if she had told her mother. She must have. No wonder the woman has had so much trouble with her heart recently. It must be just killing her. After doing her level best to raise her daughter right, to now be faced with the dark reality of her being: a Republican.

A moment later I became aware of just how snug this shoe was on my other foot. What kind of a Falwellian bigot did I sound like? Next I would instigate panic and controversy by suggesting that she and “her kind” should not be allowed to teach or adopt children. Jesus wept! So much for building bridges. I remembered again the Walt Whitman quote, “We convince by our presence,” and I stayed, despite my initially deep internal resistance. I insisted that this kindness was too extravagant and that she should allow me to do something to express my gratitude. “I could . . . wash the mini-van. I could give you some money when I get paid on Friday.” She said ‘no’ repeatedly to all of my offers, then paused. “Well, there is one thing you could do.” “Sure, what is it?” “You could come to our Easter cantata at our church this Easter.” “Alright. Okay.” I had already said that I was usually off work on Sundays. No saves there. In my mind I calculated exactly how much time I had before Easter Sunday to catch something that would render me bed-ridden and a risk for contagion, but aloud I said, “I can do that.”

On Easter morning I sat next to my cousin as the Passion play unfolded. Christ gave the Sermon on the Mount, turned water into wine, and calmed a raging storm at sea. I had visions of Ted Neeley and Mel Gibson and lamented my decision to smoke that joint before church. I can hardly stay awake. I finger my mala beads and pray to stay upright. Apparently, “cantata”, the word itself, is an ancient Latin word used only in certain religious sects and roughly translates to the equivalent of the Spanish word “siesta, or more accurately “coma”. Now, Christ was dying and I was surrounded by people who would wet themselves trying to decide whether to stone my because I had been a ‘rebellious child’ or because I’m a ‘homosexual’. My mouth was as dry as disciple’s sandal. Smoking weed before Easter service was not a good idea after all. It feels remotely inappropriate to be looking forward to the last supper so much. Maybe they’ll have communion. Wafers and juice. LOTS of wafers and juice. God, I could eat my hymnal. The munchies seem so ‘high school’ like hickies. Nevertheless, they’re here and I ask my cousin if maybe she has any little thing at all, in abundance, in that huge purse of hers to eat. She clears her throat. “PreetamDas”, she says, “this would be the crucifixion part.” I cast my eyes downward, then back to the stage and think to myself, “It’s the Passion play for Chrissake, the whole thing is the crucifixion part.”

The pre-recorded clap of thunder startles me awake from another 8 second, head-bobbing nap. Base begins to rumble from the speakers throughout the church, apparently signifying the saviors final breath on the cross. Lights flashed as the choir hummed ominously and then, suddenly, all went completely dark and silent. A hush fell over the darkened church auditorium, with the exception of random, muffled sobbing. The director held the moment, caressed the moment, then squeezed the silent, dark moment like a wet washcloth for all he was worth. When the lights came back up, Mary rushed out of a papier-mache tomb declaring that Christ’s body had been stolen and she darted up the path to tell the others. In a flash, a painted, transparent screen was whisked up in front of Mary to reveal a scarred, but resurrected Jesus. I had wondered how they would effect the resurrection. I ‘d had amusing fantasies of an unfortunate messiah crash landing into Pilate’s balcony as his Peter Pan wires got crossed.

But, as the director would have it, a veil was simply removed and Christ was revealed.

I decided not only that I appreciated this dramatic treatment, but also that perhaps this was also part of the message: Christ hadn’t flown in or even descended. His feet still touched the ground, yet He was risen. Having seen several Passion plays with my family on summer vacations, yep, including “Christ of the Ozarks, the “greatest story ever told” was not new to me. There was no surprise ending. What I did find useful was the reminder that right where we are at, feet on the ground, we are called to and able to rise. My cousin took my hand in hers and together, we sat there on our church pew, both a little bit risen.”

pdk archives March 25, 2004